Tokina AT-X 280 AF PRO 28-80mm F2.8 reviews and specifications. - 16 elements in 12 groups - SD glass: One element - Aspherical Elements: Two - Coatings: Multi-l. This is a Tokina Zoom lens. This Tokina AT-X PRO F/2.8 Lens Zoom lens has 16 mm - 28 mm focal length. The FX lens features Auto Focus and is designed to be used with SLR cameras. It has 8.99 cm diameter and weighs 950 g. Product Identifiers Brand Tokina MPN ATX168PROFXN EAN 4961607634295 GTIN 4961607634295 Model AT-X 16-28 F2.8 PRO FX eBay Product ID (ePID) 103008095 The Tokina Opera 16-28mm F2.8 FF is a new ultra-wide-angle zoom lens for full-frame Canon and Nikon DSLR cameras with a constant maximum aperture of f/2.8 available throughout the focal range. It offers the equivalent angle of view as a 25.6-44.8mm lens on an APS-C system camera body (depending on the exact crop factor). Re: Tokina 16-28 f/2.8 and Z. In reply to madecov • Apr 5, 2019. 1. I have a Z6 and also the Tokina 16-28 (old version). Unfortunately, the AF does not work with the Z6. winterho's gear list: Nikon Z6 Sigma 35mm F1.4 DG HSM Art Sigma 50mm F1.4 DG HSM | A Sigma 24mm F1.4 DG HSM Art Sigma 135mm F1.8 Art +1 more. Tokina Opera 16-28mm F2.8 FF SLR Obiettivo con zoom grandangolare, per Nikon F e Canon EF, Nero : Amazon.it: Elettronica 5,0 su 5 stelle TOKINA 16-28 -F 2.8 FF CHE GRANDANGOLARE E PROPRIO UN OPERA. Recensito in Italia il 29 aprile 2020. Acquisto verificato. According to Canon Rumors, we'll likely see the addition of a whopping 16 new lenses to the RF lineup before 2021 is out. These will round out Canon 's existing set of RF lenses and fill in key gaps, while doubling the native options for Canon 's full-frame mirrorless shooters. 我是用D600，當初是在Tokina 17-35 F4和16-28 F2.8徘徊，但最後還是16-28勝出。 因為17-35雖然可以上保護鏡，但是82mm的口徑買起來其實和16-28差不多價錢了。 況且16-28光圈比較大，在室內其實會比較好用而且更容易營造景深的效果。 a quickr pickr post 2013-03-01 1:05 #6 0 引言 我要留言 秋水小弟 177分 7樓 4132ricky wrote: 我是用D600，當初 (恕刪) 其實未必喔! 雖然我是用MARUMI DHG. 加起來的錢. 剛好是17-35F4地的錢. 其實要看你如何跟店家議價! 當然如果要用B+W那就沒話說. 不過.. EjSfZmZ. Tokina Opera 16-28mm f/ Review This Tokina Opera 16-28mm f/ $699 at Adorama, B&H and Amazon lens review is by Christophe Anagnostopoulos, Global Ambassador of Tokina & Hoya, Website Vimeo Facebook IMDB *Please note that at the time of writing this review, Adobe hasn’t released a lens profile for Tokina Opera 16-28mm F/ It is early March and along with the arrival of spring, the Milky Way season for 2019 just started and the timing couldn’t be better for the release of the new Tokina Opera 16-28mm lens, an ultra wide-angle Full Frame lens with a constant F/ aperture over its entire focal length range. Tokina had always a superb reputation among photographers not only for the exceptional build quality of its products but also for the magnificent wide angle lenses it produced, and the new Tokina Opera 16-28mm F/ is continuing this tradition with its excellent performance and quality. The new Tokina Opera 16-28mm F/ is the second lens in the premium Opera series lineup for high-end DSLR users, following the first Opera 50mm F/ lens which was released a few months ago, and this wide angle lens is coming at a very competitive price for Nikon F and Canon EF mounts. Build Quality & Exterior Design The lens is made in Japan and it’s built with the highest quality standards and materials. The new beautiful and modern looking matte black design, first introduced with Opera 50mm F/ lens, provides partial weather sealing to protect the inside quality glass from moisture. As expected from a high-quality lens, the mount is made of metal and it also has a rubber ring to prevent dust penetration. For landscape photographers, dust penetration into elements can result in image quality loss so it is important to stay clean when for example the photographer change lenses. The rear element of Tokina Opera 16-28mm is moving in and out when it is zoomed, but the design doesn’t leave any gap in the rear for the dust to enter the lens optics. The zoom ring is located near the base of the lens while the focus ring is near the front. Both rings have a very smooth feeling in operation. Tokina in the Opera series has matched the rotation direction of the focus ring according to the Nikon/Canon’s original ones to avoid confusion to the photographer. The package includes a big lens cap, which protects the front element from scratches, and it attaches firmly onto the lens with two 2 clips on both sides, so you don’t have to worry if it drops accidentally. In overall the lens gives you a solid feeling, that it can handle weather conditions with ease, while having a very premium appearance at the same time. Lens Handling & Usage The physical length of the lens remains constant although the inner lens tube moves a little, and to be more specific, at 16mm the front element is fully forward while at 28mm is retracted. The front element does not rotate, as the lens features an internal focusing mechanism, and it is protected well by the built-in petal shaped lens hood. The wide coverage of 16-28mm makes this lens a perfect choice to be used on full-frame FX cameras, although it also provides a pretty good coverage on cropped sensors cameras DX as well, with an equivalent field of view of approximately 24-42mm. However, due to its size and weight, the lens, in my opinion, is better balancing on pro DSLR bodies comparing on using this lens on smaller cameras which might not be very practical due to its dimensions and front-weight design. The wide focal coverage on FX along with the constant F/ bright aperture makes this lens very versatile and a great choice as it can be used on various photography genres very easily, such as astrophotography/timelapse, landscape, architectural and travel photography. Autofocus The lens features a new SD silent drive AF Module and is coupled with an also new GMR Magnetic AF Sensor, resulting in quick and silent focusing. In case you want to focus manually, the lens features Tokina’s exclusive One-Touch Focus Clutch mechanism so the photographer simply pushes the focus ring backward in order to engage manual focus. When the focus ring is set in AF, rotating it has no effect so its not able to override focus setting. In MF the focusing ring can be set beyond infinity mark, and from the tests I made so far the proper infinity point is set directly in the middle like shown below. Specifically for astrophotography this is very convenient in use, as even if the focus ring is accidentally moved, you can easily return it to the correct focus without having to check the live view. Although for this type of lenses the autofocus speed is not so important, from my tests so far on the Nikon D850, the autofocus in its operation was fast while also reliable and accurate, although a small noise can be heard sometimes. According to the included manual, this is the sound of the ball bearings that are designed to smooth the movement of the focus ring. Of course this is not indicating a problem with the general functioning of the lens nor its too distracting in its use. The Minimum Focusing Distance is just and getting so close to the subject in addition to the Angle of View of 107o can create some really interesting angles and compositions! Optical Design The lens features a complex optical design with 15 elements in 13 groups, including the newly created large Aspherical P-MO element and Super-Low Dispersion Glass Elements, which are eliminating chromatic and spherical distortions, as also reducing any ghosting and flaring. This design allows optimal resolution even with the aperture wide open, with very good color accuracy and high contrast. Technical Specifications Mount Type Nikon F also available for Canon EF Focal Length Range 16-28mm Compatible Formats FX,DX Maximum Aperture f/ Minimum Aperture f/22 Angle of View FX-format Elements 15 Groups 13 Diaphragm Blades 9 SD Glass Elements 3 Aspherical Elements 3 FilterSize N/A ImageStabilization N/A Autofocus Yes FocusMode AF/MF Minimum Focus Distance Length Diameter WeightApprox. 940g Flaring As a general rule we could say that when a lens design is more prone to flare high number of elements, no coating, etc, will have as a result poor saturation in the produced images. This is the reason that the flaring behavior of an ultra wide-angle lens is very important because it will also have an impact in total contrast and color rendition. Thanks to Tokina’s new coating technologies, the Opera 16-28mm F/ performs very good when shooting against very bright sources of light. In the majority of the photos I took with the Sun in the frame for this review, there are some signs of flaring and ghosting when closing aperture starting from F/ which for sure are not ruining the whole image and in some cases are easy to remove in post. F/ F/4 F/ F/8 F/11 F/16 Color Rendering Color rendering on Tokina Opera 16-28mm F/ lens is excellent, as the lens delivers great natural colors with saturated blue skies. Color rendering is also bound to Contrast and the lens contrast performance is also very good, as it captures accurately the boundaries of areas with different luminance levels. Nikon D850 – Opera 16-28mm 24mm – f/8, 1/320, ISO 64 Nikon D850 – Opera 16-28mm 16mm – f/8, 1/320, ISO 64 Sharpness In terms of sharpness, the Tokina Opera 16-28mm F/ performance is very good in overall. The lens delivers very good results in the center at f/ and it’s decent in the corners as it is a little soft, but from f/4 sharpness in corners improves drastically and it reaches its optimal performance at f/8. F/ F/4 F/ F/8 F/11 F/16 Chromatic Aberration Chromatic aberrations, or fringing, are those green and purple color halos around areas of difficult high contrast transitions. In the case of Tokina Opera 16-28mm Chromatic aberrations are well controlled in general, with the lens having around 2 pixels or less of CA at all focal lengths and apertures, which can be easily removed in post without issues like shown below. Nikon D850 – Opera 16-28mm 16mm – f/ 1/125, ISO 64 100% Crop – Original, unedited image 100% Crop – Edited image, chromatic aberration removed Please note that even though at the time of writing this review there wasn’t a lens profile for Adobe Camera Raw/Lightroom, the software removed 100% the small fringing with a simple click as shown below. Comatic Aberration Coma Coma is an optical aberration that afflicts off-axis light and it is caused by the curvature of the principal planes of the optical system. Coma becomes apparent when the light rays from the source enter the lens at an indirect angle causing the image to be off axis. The result is a comatic spot in shape, having a bright central core with a triangular flare extending toward the optical axis of the lens. In Tokina Opera 16-28mm F/ lens it can be seen in minor values near the edges of the frame when wide open at f/ and it renders invisible from f/4. Milky Way Galaxy Core over Antiparos Island with high humidity Nikon D850 – Opera 16-28mm 16mm – f/ 30sec, ISO 4000, Slik ECH-630 Star Tracker 16mm F/ 16mm F/4 Zodiacal Light and Andromeda Galaxy M31 after the rain Nikon D850 – Opera 16-28mm 16mm – f/ 10sec, ISO 6400 Vignetting There is a moderate amount of light fall-off towards the borders at F/ which can be corrected on post. Stopping down reduces the amount of vignetting, and from f/4 isn’t visible. Still for most subjects this is not an issue, however as already said, it can be easily fixed in Photoshop/Lightroom. Light Fall-Off from F/ to F/5 F/ F/ F/ F/4 F/ F/5 Bokeh The lens has a nine 9 blades aperture and in theory can create a good looking bokeh, but due to their nature, these type of lenses are not meant to be used for subject isolation, except if you get very close to your subject. So bokeh is rarely visible, still when it does, it is round and good looking. Distortion The rectilinear design is eliminating barrel distortion so the lens is distortion free and lines are appearing straight. Still, keep in mind to consider the perspective distortion that may occur with ultra wide angle lenses. Conclusion In overall, a very good all-around ultra wide angle lens for full frame cameras, bright enough with its constant F/ aperture to be used on low light photography, a very usable focal range for use on various photography genres and with very good optical performance even wide open. Most importantly, at a very competitive price. More Images with Tokina Opera 16-28mm F/ Christophe Anagnostopoulos, Global Ambassador of Tokina & Hoya, is an international award-winning filmmaker and professional time-lapse photographer, based in Greece. Website Vimeo Facebook IMDB The Tokina Opera 16-28mm f/ lens is priced at $699, check availability at Adorama, B&H and Amazon ResultadosOrdenar porLente Tokina Nikon 11-16mm vendedor Verde2800 reaisem10x 280 reaissem jurosFrete grátisUsadoObjetiva Para Canon 11-16mm Aspherical + 2 Filtros2800 reaisem10x 280 reaissem jurosUsadoLente Tokina Nikon 11-16mm vendedor Perfil Verde2800 reaisem10x 280 reaissem jurosFrete grátisUsadoObjetiva Tokina Atx-i 11-16 reaisem12x 519 reais con 03 centavos Frete grátisUsadoLente Tokina Para Nikon 11-16 reaisem12x 384 reais con 47 centavos UsadoLente Objetiva Tokina Sd 11-16mm if Dx At-x Pro Nikon2900 reaisem10x 290 reaissem jurosFrete grátisUsadoLente Grande Angular Tokina 11-16 F/ Dx Llatx Pro Nikon 2590 reaisem10x 259 reaissem jurosFrete grátisUsadoLente Tokina 11-16mm F/ Dx Ii P/nikon- 1 Ano De Garantia,3499 reaisem10x 349 reais con 90 centavos sem jurosFrete grátisUsadoTokina Atx-i 11-16mm F/ Cf - Nikon, Muito Nova 2399 reaisem10x 239 reais con 90 centavos sem jurosFrete grátisUsadoTokina Atx-i 11-16mm F/ Cf - Nikon. Muito Nova 1935 reaisem12x 191 reais con 29 centavos Frete grátisUsadoLente Tokina Emz282af Af28 - 210 Usada Minolta630 reaisem12x 61 reais con 08 centavos UsadoLente Tokina Atx 28-85mm No Estado Para Componentes80 reaisem3x 26 reais con 67 centavos sem jurosUsadoRmc Tokina F4 28/85mm Mount O/om. + Adap Sony Next995 reaisem10x 99 reais con 50 centavos sem jurosFrete grátisUsadoNikon Af-s 10-24mm Dx tags 8 12 14 16 18 20 28 Como Nova4980 reaisem10x 498 reaissem jurosFrete grátisUsadoNikon Af-s 17 55 tags 16, 18, 24, 28, 35, 50, 70 Exc4980 reaisem10x 498 reaissem jurosFrete grátisUsadoLente Tokina Sd 12 - 24mm 1f Dxii Afpro1700 reaisem12x 164 reais con 82 centavos UsadoObjetiva Tokina At-x 12-28mm F4 Pro Dx Para Nikon2294 reaisem12x 222 reais con 41 centavos UsadoNikon Sigma 10 20 F/4 tags 12 14 16 17 18 28 35 Como Nova3480 reaisem10x 348 reaissem jurosFrete grátisUsadoNikon Af-s 50 Mm F/ G Full Frame tags 18,24, 28, 35, 551380 reaisem10x 138 reaissem jurosFrete grátisUsadoO frete grátis está sujeito ao peso, preço e distância do envio. Voltar ao topo Descrição do produto Especificações Itens inclusos Garantia Avaliações Código 989567 SKU ATX16-28PROFXNAF Destaques do produto • Não há destaques sobre esse produto. Dúvidas técnicas? Fale com especialista! Lente Tokina AT-X 16-28mm f/ Pro FX para Nikon Descrição do produto Lente Tokina AT-X 16-28mm f / Pro FX para NikonPara o profissional, uma lente 16-28mm f / é quase uma necessidade, e esta nova lente Pro FX AT-X 16-28mm para Nikon da Tokina preenche a conta muito bem. Projetado especificamente para DSLRs de nível profissional da Nikon com um sensor full frame FX como a Nikon D700 e D3x, este zoom super grande angular possui 15 elementos em 13 grupos, usando elementos de vidro de dispersão superesférica e super baixa para reduzir aberração cromática e dar resolução máxima. O motor DC silencioso permite que a lente foque rapidamente e silenciosamente e funciona com um sensor AF magnético GMR para aumentar ainda mais a velocidade AF. Um mecanismo exclusivo de embreagem de foco de um toque permite alternar rapidamente entre foco automático e foco manual, encaixando o anel de foco para frente para AF e de volta para a câmera para foco manual. E é possível comprar essa lente sem antes solicitar uma hipoteca. Lente Profissional 16-28mm F / Projetado para DSLRs Nikon profissionais full frame FX. Motor novo da CC silenciosa com sensor de GMR O 16-28 f / usa um motor DC silencioso recentemente desenvolvido que permite que a lente se foque mais rápido e silenciosamente que as gerações anteriores. O motor DC acoplado a um novo sensor magnético AF GMR trabalha em conjunto para aumentar a velocidade AF. Elementos de vidro de dispersão asférica e super baixa Um novo elemento de vidro esférico de 56 mm de diâmetro, de tamanho grande, é incorporado ao grupo de lentes dianteiras, enquanto há mais dois elementos asféricos no grupo traseiro. Três elementos de vidro de dispersão super baixa do SD também são incorporados em todo o projeto óptico para reduzir a aberração cromática, fornecer resolução máxima, mais brilho e correção de distorção. Embreagem de foco de um toque O Mecanismo de Embreagem de Foco de Um Toque exclusivo da Tokina permite que o fotógrafo alterne entre AF e MF simplesmente pressionando o anel de foco para frente para AF e de volta para a câmera para focar manualmente. Não há um segundo interruptor AF / MF na lente para a Nikon, tudo é realizado pelo anel de foco. Especificações Abertura Máxima da Lente Não informado Características de Lentes Não informado Classificação Fiscal NCM Não informado Comprimento Focal Fixo Não informado Comprimento focal Zoom Não informado Cor do Produto Não informado Disparo Contínuo Não informado Estilo de Lente Não informado Flash Embutido Não informado Formato de Lentes Não informado Formato do Filme Não informado Galeria de imagens Não informado Megapixels Não informado Modelo de Produto Não informado Opções de Kit Não informado Processador de Imagem Não informado Quantidade Vendida Não informado Tamanho do Sensor Não informado Tipo Câmeras Digitais Não informado Tipo de Sensor da Câmera Não informado Tipo de Visor Não informado Tipos de Foco da Lente Não informado Tipos de Tela de LCD Não informado Voltagem Não informado Itens inclusos Não há informações sobre esse produto. Garantia Garantia de 12 meses com o Fabricante. Avaliações Introduction The Tokina Opera 16-28mm FF is a new ultra-wide-angle zoom lens for full-frame Canon and Nikon DSLR cameras with a constant maximum aperture of f/ available throughout the focal range. It offers the equivalent angle of view as a lens on an APS-C system camera body depending on the exact crop factor. The Tokina Opera 16-28mm FF is comprised of 15 elements in 13 groups, 3 of which are of aspherical type including a large aspherical P-MO element, and 3 are glass Low-Dispersion SD elements for effective suppression of chromatic and spherical aberrations. It also features a rounded 9 blade diaphragm which creates an attractive blur to the out of focus areas of the image. It has a minimum focusing distance of 28cm / and a maximum reproduction ratio of 1 fast and quiet AF performance, a focus clutch mechanism for switching between AF and MF, and a Multi-Layer Coating to help reduce flare and ghosting. The Tokina Opera 16-28mm FF lens retails for £699 / $699 in the UK and the US, respectively. Ease of Use Weighing in at 940g and measuring in length, the Tokina Opera 16-28mm FF is quite a big lens, almost identical to the Sigma 14-24mm DG HSM Art lens that we've previously reviewed, but larger and heavier than the Canon EF 16-35mm f/ III USM. While you can use the Tokina 16-28mm lens on a smaller APS-C body for a equivalent angle of view, it won't balance well at all. As demonstrated by the images below, it's a much better match for a professional-grade, full-frame camera like the Canon EOS 5DS R. In terms of features, the Tokina Opera 16-28mm FF offers all the basics that you need, except for any kind of weather-sealing, which some of its main rivals do offer. This is a strange omission given that the Opera 50mm f/ lens is weather-sealed - we'd expect Tokina to continue this feature throughout the Opera range. The other main missing feature is the lack of built-in Vibration Reduction, although most of this lens' main rivals don't offer it either with the exception of the Tamron SP 15-30mm Di VC USD. The build quality of the Tokina Opera 16-28mm FF is excellent, reminding us of Sigma's well regarded Art range. The lens has a plastic shell and incorporates a metal bayonet mount, while the optical elements are made of high-grade glass. Focusing is usefully internal and manual focusing is possible when set via the intuitive Focus clutch mechanism on the lens barrel - simply snap the focus ring forwards and backwards to engage either AF or MF. The Tokina Opera 16-28mm FF lens has a moderately sized focus ring. There are no hard stops at both ends of the range, though, making it harder to set focus at infinity. A clear distance scale in both feet and meters runs from the closest focusing distance of / to infinity, but there is no depth of field scale. When it comes to auto-focusing, the Tokina Opera 16-28mm FF zoom is a fairly quick performer, taking about seconds to lock onto the subject when mounted on the Canon EOS 5DS R camera that we tested it with. We didn't experience very much "hunting" at all, either in good or bad light, with the lens accurately focusing virtually all of the time. Despite Tokina's marketing claims, it's not a particularly quiet performer though, despite the combination of the DC motor, Silent Drive module, GMR magnetic AF sensor and internal focusing design inside, which makes this lens less well-suited to video recording. The Tokina Opera 16-28mm FF ships with a good quality soft case, a fixed plastic petal-shaped lens hood and a large round lens cap. Given the cost of the lens, we'd have liked to have seen a hard case included. Note that this lens doesn't accept standard screw-on circular filters due to its large, bulbous front element. Focal Range At the 16mm focal length the angle of view is degrees, and at the 28mm focal length it's degrees. 16mm 28mm Chromatic Aberrations Chromatic aberrations, typically seen as purple or blue fringes along contrasty edges, is generally very well-controlled but can be detected in some shots, as shown below. Light Fall-off With the lens set to its maximum aperture of f/ there is some noticeable light fall-off in the corners. Stopping-down to f/ virtually eliminates this. 16mm 28mm Macro The Tokina Opera 16-28mm FF isn't claimed to be a macro lens, with a minimum focusing distance of 28cm / and a maximum magnification ratio of 1 The following example demonstrates how close you can get to your subject. Bokeh Bokeh is a word used for the out-of-focus areas of a photograph, and is usually described in qualitative terms, such as smooth / creamy / harsh etc. In the Tokina Opera 16-28mm FF lens, Tokina have employed an iris diaphragm with nine rounded blades, which has resulted in very nice bokeh for such a wide-angle lens, especially when shooting at the 28mm focal length. We do realise, however, that bokeh evaluation is subjective, so we've included several examples below for your perusal. Sharpness In order to show you how sharp this lens is, we are providing 100% crops on the following pages. Ease of Use Sharpness 16mm 20mm 24mm 28mm Sample Images Lens Specs Rating & Conclusion Main Rivals Review Roundup em12x 668 reais con 01 centavos em12x 384 reais con 47 centavos Usadoem10x 349 reais con 90 centavos sem jurosUsadoem10x 239 reais con 90 centavos sem jurosUsadoem12x 191 reais con 29 centavos Usadoem12x 768 reais con 84 centavos Disponível 7 dias após sua compraem10x 856 reais con 90 centavos sem jurosem10x 916 reais con 60 centavos sem jurosem10x 907 reais con 07 centavos sem jurosem12x 667 reais con 34 centavos Disponível 5 dias após sua compraem12x 855 reais con 34 centavos em12x 782 reais con 49 centavos em12x 855 reais con 34 centavos em12x 179 reais con 36 centavos Usadoem12x 290 reais con 75 centavos Usadoem12x 519 reais con 03 centavos Usadoem12x 336 reais con 41 centavos Usadoem12x 227 reais con 37 centavos Usadoem10x 237 reais con 80 centavos sem jurosUsadoem12x 222 reais con 41 centavos UsadoO frete grátis está sujeito ao peso, preço e distância do envio.

tokina 16 28 nikon